Schlaze Cubed was an instrumental trio consisting of Matt Carlson on keys and synths (an Arp Odyssey in particular, as I recall), Jim Paschall (The Past, Display) on guitar, and Matt McLemore (also of The Past) on drums. I believe this CD-R from 2005 was their only official release. Fans of This Heat's first album take note. This will absolutely scratch that same itch.
When Jim Paschall moved back to Seattle recently, he didn't just get Display back together, he also un-dormanted (I swear that's a word. Go ahead and challenge, man, you're just gonna lose a turn.) his other band from the same era, Male/Female. Initially a side project where he could play mainly guitar (he played bass in Display), Male/Female continued after the breakup of Display, and released one (to my knowledge) CD-R EP in 2006, Slow it Down in the Mineral Bath.
Along with Paschall, the art noise kraut groove punk foursome comprised Eric Yates, formerly of Portal and recently of Tit Pig, on synths, bass, and sometimes guitar, Emily Lohuis on drums (now Emily Moore, as she is married to Display's drummer Danny, thus obligating them to regular marital drum-offs), and John from the New Avenues, whose guitar duties have been handed over to Colby Ford for M/F V2.
The way I see it, everything I've posted here has been leading up to this moment. This is my second favorite album of all time (first is Pet Sounds), and over the 9 years since its release, I've come to accept that one of the main reasons I've been put on this earth is to be a Display evangelist. Now, I realize that hyping something makes it more difficult for a new listener to enjoy it, so if all my fawning is sounding like a too good to be true situation, then stop reading and just download the album.
Display were an arty dance-punk (or is it dancey art-punk?) trio out of Everett, formed by bassist Jim Paschall and guitarist Jeremy Cooper of The Past, and Danny Moore on drums. They wrote short, taut songs in Sonic Youth-inspired alternate tunings, anchored by Danny's fast and crisp beats. In contrast to the largely instrumental, slow moodiness of The Past, Display was more poppy and accessible, with Jim and Jeremy trading lead vocal duties, but no less artful and forward-thinking. Display was unlike anything else in town at the time.
Despite frequent positive write-ups in the local music press, a commanding set at the Capitol Hill Block Party, and many shows with other forward thinking bands like Shoplifting and The Gossip, Display never reached the heights they should have. The sad story of why you may not already know this band is that they refused label offers to release their music, opting to self-record and self-release, but doing it all themselves delayed the process, and by the time they finally got it out (packaged beautifully in a thick hinged mirror case they designed and assembled), sudden health problems forced the band to break up within about a week of the album's release. It was only available on consignment in a few shops, at one show, or direct from the band. Only a few dozen copies were made, as far as I know.
I've also just uploaded 11 old videos to Youtube, in this playlist:
Be advised that the video resolution isn't great, but I originally got them in this resolution and don't have the originals.
I wanted to include this with my previous post for The Past's full-length, but several sets of equipment refused to comply. Not to be deterred, I eventually got this 5-song cassette transferred to my computer. I've been listening to it a lot, and remembering the first time I heard it. I'm not from Everett, but had recently befriended an Everett dude who'd moved down to Bothell, where I went to school. He'd just gotten a copy of this tape, and during theater class he put it on the stage's sound system and turned it up loud. We heard about 20 seconds before the teacher yelled something like, "WHAT is THAT?!". Confused, and seeking to prevent whatever illness could be caused by the relentless repetition of oddly tuned guitar riffs and noise, he literally ran over to the console and turned it off, hastily pulling the tape out of the machine, so that it could not infect any further. Now, I'd known this teacher my entire life. My parents were best friends with he and his wife. I knew him better than any non-family adult in my life. To a high school kid, seeing music cause such a negative gut reaction from a parent-like figure can only mean that you're on to something great. And we were.
All the copies of this tape were recorded over existing tapes. Mine was taped over a lecture from a motivational speaker. I've included a minute of so of his speech, as I feel it contributes to the experience of listening to this tape.
Worth noting is that I feel this tape has the definitive version of "Psychosis" (called "Seen and Not Seen" here, though), especially in how it ends with an Echoplex loop.
The Past were a mostly instrumental and entirely arty trio from Everett, two-thirds of which went on to form Display. With their giant Sunn amp cabinets and arsenal of vintage effects pedals, Jim Paschall and Jeremy Cooper unleashed waves of moody Sonic Youth and Krautrock-inspired riffs over Matt McLemore's spare but highly specific (and a bit funky, in a DJ Shadow sort of way) motorik drumming. One of my favorite memories of any show I've ever been to was at a house where The Past opened for FCS North. When their final song ("Agneta") ended, Jeremy tapped on his Echoplex, which then replayed his entire guitar part from the beginning. He and Jim peeled back the grillcloth of their amps, shoved their instruments completely inside, and as effects filtered feedback accompanied the ghost guitar, the band joined the crowd in watching the end of their set. Fantastic.
After a couple years and one short tape, they released this full-length self-released CD-R. It was limited to 100, but I think only a few dozen were actually made, as they broke up just they put this out (my copy is number 1, by the way). I also have their cassette ep and a live video, both of which I intend to transfer soon, but keep encountering uncooperative equipment.
The New Avenues were a pop band out of Everett, led by the falsetto-voiced and charismatic Keegan Douglas. After the demise of Luner Lander, Keeg continued to explore his Beach Boys obsession, writing guitar pop, accompanied by a bassist and as I recall, a cassette of the drum parts, as one half of Jeff and Keeg (more on that later). Eventually, they recruited Jim Paschall (Display, The Past) and a second guitarist, John, and went by Jeff and Keeg and John and Jim, before settling on The New Avenues. I believe this 5-song EP came out in 2002, and after listening to it innumerable times, it still always puts a smile on my face. If anyone has copies of later New Avenues material, or the subsequent band Talladega (in which Danny replaced Jim on drums), please let me know.
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